|
Pop
|
C&W
|
R&B
|
Melody
|
"pretty" melodies were very important; usually
easy to remember; interesting melodic contours |
melodies & lyrics were of prime importance |
simple melodies, allowing for considerable freedom &
spontaneous invention (improvisation) in performance; served as vehicle
for the lyrics |
Harmony
|
inventive harmonies, but still relatively simple (diatonic) |
usually simpler than those of pop music |
usually 3 basic chords with occasional variations |
Rhythm
|
straight, uncomplicated rhythm; kept in background;
tempos were usually moderate to slow |
simple & straight-forward; usually more prominent
than pop music; little or no subdivision of the beat |
hard-driving, prominent rhythm |
Instrumentation
|
professional singers accompanied by full orchestra and
small chorus |
vocalist, vocal backup group, acoustic & electric
guitars, pedal steel guitar, piano, violin, and acoustic bass; drums
omitted |
vocalist, guitars (electric, acoustic, or both), acoustic
bass, piano, drums, saxophone, & harmonica |
Form
|
symmetrically organized, usually into 4-measure phrases |
similar to the Tin Pan Alley pop song |
commonly 12-bar blues |
Lyrics
|
nonoffensive, noncontroversial, most often dealing with
boy-girl love |
often love-oriented (esp. unrequited love or jilted
lover) |
personal sentiments related to love, jobs, "hard
knocks," and general philosophies of life |
VocalStyle
|
crooner |
nasal quality; yodeling |
shouter |